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Tuesday, 15 March 2022

Redemption scene

 In the Mad Max Fury Road scene George Miller uses the aspect of close-up shot efficiently to convey the expressions worn by the characters.


As furiosa drives the war rig, the film technique used to capture her expressions was a close-up shot. She keeps her gaze forward, not to focus on the road as her eyes seem dazed and lost in thought as she says “I was taken as a child”  before moving her gaze out the window.  As she keeps her gaze out the window Mad Max questions her motive, Furiosa replies “Redemption” in a calm tone whilst maintaining the dazed look. It is clear that as she narrates her part of the story, Furiosa only thought about herself when attempting to escape but now it's different as she now isn't escaping herself but alongside the wives of immortan Joe when Max asks “what about them?” directing towards immortan Joe's wives and nux. She replies “hope” yet the technique establishing shot is used to capture the setting of the moment, as furiosa drives the war rig while reminiscing the camera angle captures just how barren and empty the world they live in now, driving through empty yards of nothingness. The dialogue shared between them and Furiosa’s moment of vulnerability explains just how close they have become during the times they’ve been together. From when Max was hostile and plagued with nightmares to sleeping vulnerably in the war rig as furiosa drives. Even when he jolts awake from a nightmare Furiosa gently coaxes him saying “it’s ok. Get some rest.” in a motherly soft tone. This shows that even though furiosa was demoted to a soldier, unlike the rest of immortan joe’s war boys who seem to only care about Valhalla and worshipping cars and immortan joe. Furiosa is the only living person with the semblance of humanity. This can also be connected to Nux, who at the beginning used max as a blood bag and partaking in taking down the war rig, obsessed with witnessing valhalla change after witnessing the humility immortan Joe's wives showed him. 


8 comments:

  1. Hi Julianna
    I think your paragraph is very good. I especially like how you pointed out how Max has changed around Furiosa by saying that now Max feels comfortable enough around her to sleep next to her while in the war rig.

    To improve your paragraph I feel you could link this to the wider world more. Maybe something about Furiosas motherly instincts towards the wives and now Max.

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  2. I like how you talk about Furiosa's journey from just wanting to escape by herself without thinking about others to now making sure the wives get away from Immortan Joe safely and also how Furiosa has become more caring and motherly

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  3. Hi Julianna
    I really like the depth youve added to your paragraph, espeically how detailed youve talked about the film aspects and the effects of them. I think more detailed towards the wider world could be added which would help to connect your paragraph and reasoning even more. Good job!

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  4. Hi Julianna! I really like many links you had between the aspects in your paragraph, it showed how harmoniously everything worked together. I especially liked the link to Nux's character and how he changed as a comparison to Furiosa. I think you could add more detail as to why it matters that Furiosa seems more human to improve the paragraph. Good Job!!

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  5. I like how your paragraph is very detailed. I can really see that you've used the sexxyy paragraph.

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  6. Hi Julianna,
    I like how you talk about the film technique in your paragraph and how you went from Furiosa talking about how she tried escaping by herself the first time. then jumped back to help the others out. Good Job!!

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  7. Hi Julianna-

    I really like how you explain and talk about the film techniques and I also like how your paragraph are very detailed.
    Keep up the good work;-)

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  8. Hi Julianna,

    Well done on this paragraph. I like your ideas about vulnerability and Furiosa's humanity.

    Don't forget to include all elements of TEXXYY. I notice that 'effect on the audience' is missing.

    Also make sure you are showing appreciation of the director's choices/you are being critical.

    Ka rawe!

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